Limerick Lament
By Madeleine Begun Kane
There are times that I feel like a tool,
Complying with each lim’rick rule.
So starting today
I refuse to obey.
Don’t believe me? You’re right. April Fool!
(My 2nd National Poetry Month poem, and it’s still April 1st. Yippee!)
Funny,
yet insightful,
making people ponder
as it soundly zaps its targets.
Witty,
subtle, pointed ammunition
aims, fires, amuses,
inciting us
to think.
(Author’s Note: This is a Butterfly Cinquain. The syllable count is 2, 4, 6, 8, 2, 8, 6, 4, 2. At least, I hope it’s a Butterfly Cinquain — I’ve never tried writing one before.)
So far, March has been a big month for celebratory limericks. I’ve already limericked about International Women’s Day, Daylight Savings Time, Pi Day, and St. Patrick’s Day. And now it’s time for a two-verse limerick celebrating World Poetry Day, which falls on March 21st:
Limerick Ode To World Poetry Day
By Madeleine Begun Kane
On World Poetry Day write some verse,
Or in poetry reading immerse.
Try a lim’rick, haiku,
Sonnet, ode, clerihew —
Something witty, or languid, or terse.
On World Poetry Day have some fun:
Compose quatrains, blank verse, or haibun.
Double dactyl, sestina —
The poet’s arena
Will even permit you to pun.
UPDATE: I discovered and corrected some serious errors on Wikipedia’s World Poetry Day page (Google’s top entry for the World Poetry Day topic.) The most glaring error was made more than a month ago, on February 15th, by someone who apparently was manipulating Wikipedia on behalf of a UK-based “global grocery and general merchandising retailer” named Tesco. All references to UNESCO, which had declared March 21st to be World Poetry Day, had been changed to TESCO.
I was stunned that nobody was monitoring Wikipedia well enough to catch and correct this error, and that it took me, an infrequent Wikipedia user, to fix it.
So let that be a lesson to people who rely on Wikipedia. While it’s often useful, it’s far from the gospel. And if you find errors there, be a good Internet citizen and fix them.
One more thing — I urge all poets and writers who are at all publicity-minded, to create their own Wikipedia page. Here’s mine.
UPDATE 2: Commenter Tilly Bud inspired me to combine my two limericks, turning them into a two-verse limerick. Thanks, Tilly!
Epiphany (Tanka)
By Madeleine Begun Kane
My muse teases me,
Awaiting epiphanies
That never arrive.
So I must go it alone,
Writing until I’m amused.
(Note: Tanka is five line Japanese poetry which pre-dates haiku and whose syllabic form is 5-7-5-7-7. I usually think of it as haiku plus two more 7 syllable lines. My Epiphany Tanka was inspired by the Writers Island epiphany prompt.)
One of my limerick-writing pals has challenged me to hold a Double-Dactyl-Off. My initial response was “What the hell’s a double dactyl?”
So I Googled it, read the rules, and attempted to write a couple of them myself. I’ll try to summarize the rules here and will provide links to some good resources and samples. (Don’t worry if you find the rules confusing. Once you read a couple of examples, they make more sense.)
1) A double dactyl is a two stanza (eight line) humorous poem consisting mostly of dactyls. What’s a dactyl? A dactyl has three syllables, one stressed followed by two unstressed (/ _ _ ).
2) Line 1 is a nonsense phrase consisting of two dactyls (like Higgeldy Piggeldy or Dickery Dockery or Flippity Flappity.)
3) Line 2 is the name of a famous person (usually historic) but must be a double dactyl (like Emily Dickinson or Joseph DiMaggio or Hans Christian Andersen.)
4) Lines 4 and 8 must rhyme.
5) Somewhere in the second stanza there’s is a double dactyl formed by a single word (like megalomaniac or gubernatorial or idiosyncrasy.)
Here’s the form which I borrowed from Miss Rumphius.
1 – double dactyl nonsense phrase (like Higgeldy Piggeldy)
2 – double dactyl of a person’s name
3 – double dactyl
4 – one dactyl plus a stressed syllable (/ _ _ / )
5 – double dactyl
6 – double dactyl
7 – double dactyl
8 – one dactyl plus a stressed syllable (/ _ _ / )
(Wikipedia provides the rules and examples.)
Here are my first two attempts. (I invite you to post your own in my comments.)
Higgledy Piggledy
Ludwig van Beethoven
Wrote the Eroica,
Sadly went deaf.
Incontrovertibly
Gifted and masterful.
Some say he’s better than
Brahms. Need a ref.
*****
Rickety Rackety
David A. Paterson
Got to be gov cuz boss
Spitzer resigned.
Patterson governed us
Counter-productively.
Sure’s been a while since a
Governor’s shined.
I’m looking forward to your double dactyls. Have fun! And if you’re on Facebook, please post your double dactyls here on Facebook too.
Every so often I get missives from poetry purists. Their message? Most of my haiku are by strict definition senryu.
Now I hate to admit it, but these sticklers are technically correct. For while haiku and senryu take the same form — three line, seventeen syllable poems (five-seven-five) — historically their subject matter and attitude differ.
If you’re waxing poetic about the physical world, chances are what you’ve written is a classic haiku. Throw in a seasonal reference, and it’s a haiku slam dunk.
But if your topic is human nature and human foibles, it’s probably best to label your verse a senryu, especially if you’re being satirical.
Confused? Don’t worry — most people find all this perplexing. In fact, there are lots of articles discussing this very question, and they don’t all agree with one another. Which is probably why so many people (like me) tend to take the easy way out and label all of our seventeen syllable masterpieces haiku.
But please don’t throw up your hands in unpoetic bewilderment. My explanation in the form of a three-verse limerick just might help or, at least, amuse you:
Haiku Or Senryu, That Is The Question
By Madeleine Begun Kane
So how do you write a haiku?
And when’s a haiku senryu?
Both are five-seven-five,
But heavens alive—
All their diff’rences cause much ado.
The distinction’s confounding to some.
Don’t confuse them — you might be called “Bum!”
If your verse has unfurled
On the natural world,
Then you’ve followed haiku’s rule of thumb.
But if seventeen syllables speak,
Not of nature, but human critique,
With satirical pearls
Mocking people — guys, girls —
You’ve embarked on a senryu streak.
The Washington Post runs a yearly limerick writing competition as part of its Style Invitational and has just announced this year’s winners. No, I didn’t win, but I was pleased to receive an Honorable Mention.
If you’d like to read some clever, well-written limericks, I recommend reading the winning limericks.
And now, a limerick about writing limericks:
An Ode To The Limerick
By Madeleine Begun Kane
Writing lim’ricks is sometimes confusing
Cuz the rules can be tricky and bruising.
But their sing-songy beat
Can be fun — just don’t cheat.
Write them right and they’re very amusing.
Prompted to pay special attention to tempo and pacing, I’ve written a tanka made up entirely of Italian musical tempo terms. (At long last my Cal Arts BFA in Music Performance pays off.)
Tempo, Tempo
By Madeleine Begun Kane
Largo, andante,
Allegro ma non troppo,
Accelerando,
Vivace, rallentando,
Allargando al fine.
(You can find more of my musical verse and humor here.)
Today’s limerick and haiku theme is walking. First, my limerick:
Ode To A New York City Walk Signal
By Madeleine Begun Kane
Oh WALK light, you change way too fast.
Your pedestrian green doesn’t last.
You force me to run
Cross the street, which ain’t fun.
So thanks for this cumbersome cast.
And now, my walking-related haiku:
Solitary stroll
To escape the telephone.
Cell phone outsmarts me.
Now, of course, it’s your turn. Your assignment, should you choose to accept it, is to write a limerick or haiku (or both) about walking. When you’ve posted your verse, please return here and add a direct link to your themed poetry.
(If you need some tips on limerick or haiku writing, I link to some helpful sites here.)
NOTE: My Ode To A New York City Walk Signal limerick is an apostrophe. And no, I’m not referring to a punctuation mark. Miss Rumphius tells us that an “apostrophe is a poem which directly addresses a person or thing that is generally absent.” So I thought I’d address one to a walk signal that’s tormented my husband and me for years.
Mad Kane (Madeleine Begun Kane) is a writer, musician, and "recovering lawyer." She won the Robert Benchley Society Award For Humor and enjoys writing limericks, song parodies, and current events haiku.
You can email her at madkane@madkane.com, visit her political humor blog, or stop by her home page.
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